The Act of Bird Song by sheena graham-george PhD, MFA, BA (Hons)
The Act of Bird Song by sheena graham-george PhD, MFA, BA (Hons)
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By sheena graham-george PhD, MFA, BA (Hons)
Film
h: 1 w: 1 d: 1 (cms).
Short experimental art film. Running time 04:40
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By Denis Mollison
html
h: 1 w: 1 d: 1 (cms).
The core freedom for wild places is to be themselves. Beaches are among the freest by this criterion – swept clear and reshaped by each tide. The patchwork of photos presented here comes from a project to visit all the beaches of the Northwest Highland Geopark. This selection comes from the beaches in its northern half, from Kylesku round Cape Wrath to Whiten Head, all in the parishes of Eddrachilles and Durness. The photos try to capture the feel of visiting these beaches, their patterns and their dynamics, particularly how they are continually reshaped by water – streams, tides and waves. The patchwork presentation works through a series of themes, from large scale through effects of light and water flows to the fine details of rocks, plants, animals and sand. There are only a few humans in these photos – only on around five of these forty beaches are you likely to meet any. And there is only a little obvious litter – its most insidious presence is the fragments of plastic present in all the sand samples. Like all wild places beaches are under threat, but their very changeability gives them resilience as well as their unique beauty.
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By kit macarthur
Photo collage
h: 22 w: 25 d: 1 (cms).
All photo's taken on field trips during 2023
£350
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By therese lynch
Video / Photos
h: 1 w: 1 d: 1 (cms).
Salvage was a site specific installation made in the wilds of the Sahara desert. The link in the media URL, as well as showing the video of the work, tells of the process that lead to its creation, how it was inspired by engaging in the area as I made a small attempt to clear it of plastic debris. The work speaks to the perpetual, sometimes disheartening, dynamic between the industrial human and our natural environment.
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By Kathi Kamleitner PhD
Audio & Video
h: 1 w: 1 d: 1 (cms).
'Hope' is an audio-visual poem by writer Kathi Kamleitner inspired by snorkeling on the west coast of Scotland. Marine protected areas, special areas of conservation and national nature reserves in Argyll create pockets of coastline where the wild sea can be free. Free from dredging and unsustainable fishing. Free from the pollutants of fish farms and marinas. Free from interference and exploitation. We are only visitors in these places. From the shore, the sea can seem like a distant world - what goes on underneath the dark, glossy surface has nothing to do with us - or so we think. But when we put on a snorkel mask and immerse ourselves in the depths and the shallows, this alien world comes to life. We are no longer 'other' - we become a part of this eco-system and realise that we've been responsible for its freedom all along. My poem 'Hope' translates this experience into a thought-provoking story about biodiversity, fragility and participation. My aim is to connect listeners with an eco-system that is normally out of sight and out of mind. 'Hope' encourages listeners to learn about underwater landscapes and emphasises the importance of individual responsibility, stewardship and action. The poem was originally published on my podcast Wild For Scotland in December 2022 and has since been downloaded over 3,700 times. In May 2023, the piece was part of a group exhibition at the Rockfield Centre in Oban at which point, I added a video element to tie in with the visual work by other artists included. But the topic of freedom doesn't just show up in my submitted piece of work itself. It also presents itself in my work as a writer and artist. As a writer of predominantly non-fiction and nature writing producing an immersive audio poem has expanded my skillset and horizon as a creative. I draw inspiration from being out in nature. It is freeing to be immersed in the coastal environment of Scotland and be able to produce creative work about these places that resonates with people. I am fascinated by the concept of "extinction of experience" - the fact that in our modern society, we are less and less exposed to nature and lack personal connections with natural environments. In my work, such as 'Hope', I hope to encourage listeners/viewers to create these experiences and find ways to connect with nature in their own way.
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By andrew brooks
Video and Audio
h: 1 w: 1 d: 1 (cms).
This video and track are both from my solo album EAST which was written and made after moving to Dunbar in September 2020, and are a love letter to my new home in East Lothian (hence the title). The album as a whole is made up of field recordings of the sea, trees and birds of East Lothian, looped saxophone music and spoken word in direct relation to this. EAST II is the title track for the album and encapsulates much of its central essence. Within the notes played using a pentatonic scale is encoded the words ‘This is what I came for this is why I’m here’ a phrase which is the central theme to the album and a mantra I found myself repeating on an early morning beach walk shortly after having moved to Dunbar. The sound of waves featured on the track and the slow motion underwater footage were both filmed at Belhaven bay by me and this piece in particular is attempting to capture my love of the sea and being underwater as a surfer and freediver. Also attached are photos of the physical CD album and artwork which would also be available for purchase at £10 each.
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