By kit martin
Digital photography
h: 100 w: 50 d: 3 (cms).
Images of a microscopic piece of sphagnum moss taken through a confocal microscope.
£200
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2. Fi Bunn - The Matterhorn fire by Fi Photos BA (Hons), MA
2. Fi Bunn - The Matterhorn fire by Fi Photos BA (Hons), MA
2 / 5
By Fi Photos BA (Hons), MA
Photography
h: 60 w: 80 d: 1 (cms).
Beyond the ice and the icon. I’m following the glacial tracks which have been such a part of mountain landscapes. They are retreating, almost unnoticed in a single year. The Matterhorn is an "iconic" alp, one of 32 x 4,000m mountains. It is known throughout the world, covered in Winter snows as skiers move side to side across the icy tracks. The rest of the year dark slopes are now visible.
£790
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Sheep Shelter Camera Projection by Tara Drummie BA (Hons)
Sheep Shelter Camera Projection by Tara Drummie BA (Hons)
3 / 5
By Tara Drummie BA (Hons)
Duration print of camera obscura interior, displayed on lightbox
h: 60 w: 90 d: 3 (cms).
Displayed is the projected image inside Drummie’s camera obscura ‘Sheep Shelter Camera’ from the series 'Harvesting Light'. The structure was built on a croft utilising a diesel tank, a steel gate, rotted wood, nettle stems and mud. One corroded hole in the diesel tank was left exposed to function as the aperture, projecting an image of the external croft onto the rusty internal wall. ‘Harvesting Light’ is a series of camera obscuras created by Outer Hebrides based artist Tara Drummie. The work is inspired by the rare machair prevalent on the Isle of North Uist, where geology, climate and topography combined with low-intensity human cultivation over millennia yield a fertile eco-system, attracting a wide variety of wildlife. The work reflects a collaboration between the more-than-human assemblages of the machair and Drummie, motivated by a symbiotic relationship with the land. Each structure (camera) was made exclusively from materials found on site, embracing the environment as the medium to record itself. Drummie dissembled the works and disposed of harmful debris upon completion, raising awareness on consumption and waste and encouraging biodiversity to thrive as it should. A camera obscura is a rudimentary optical instrument consisting of a dark chamber and a small round hole known as an aperture. Light travels in a straight line through the aperture and projects an upside-down image of the outside environment onto a wall within the chamber.
£2400
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By brittonie fletcher
C Type Print
h: 199 w: 199 d: 1 (cms).
The Disk, was a piece of metal recovered from one of the warships at the bottom of Scapa Flow. I found this piece to be uniquely representational or symbolic of the human relationship with nature and the environment and the cycle of things. Iron taken from the earth and shaped for devices used for destruction later turned into the substrate for which new life could build homes. The salt and the oxidation of metal, both photographic and alchemical unify this idea of the life cycle. The circle represents this same cycle, a galaxy of colour or the planet, something more universal, and hopeful.
£1000
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By brittonie fletcher
Liquid silver emulsion on Somerset
h: 145 w: 195 d: 1 (cms).
I was walking on Hoy in Orkney. People plan their schedules around the wind. I noticed the grass making markings in the sand with the wind. These 'Xs' reminded me of early writings from Neolithic peoples or later inscriptions from Vikings. Some are left solely to interpretation. How the wind changes constantly, but our relationship continues. Our markmakings are inspired by nature; our days are still planned by it. I make developers from scratch from plants foraged in the landscape for my film. I hand apply and paint the silver gelatin emulsion on my paper, allowing the brushmarks to act like the wind in reeds. Connecting human relationship with our environment.
£2500
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